One of Hollywood’s most beloved actors, Burt Reynolds, died today in Florida. News outlets are reporting that he did not yet film his role as George Spahn in Tarantino’s new film “Once Upon A Time In Hollywood.” The film, shooting lately around town, is thought to be about the late 1960s, including Charles Manson and his followers. Reynolds was to play George Spahn, meaning that part of the story would be about the Manson Family at the Spahn Movie Ranch. It is well known that the girls in Charlie’s group doted on George Spahn, taking care of him in his later years.
One observer noted that this might be the beginning of a “curse” put on the film by some of Charlie’s followers, although there is no evidence of this and most of the remaining “Family” members are not into the occult.
Tarantino showed his brilliance in casting Reynolds for the role. He would have been perfect as George Spahn. Rest in Peace Burt Reynolds.
The jarring cultural shift that took place in the late sixties, brought on by the U.S. Invasion of Vietnam, is weirdly still with us, still reverberating through the media and still pounding the brains of American citizens like a migraine headache that never goes away. American political, cultural and sexual warfare are the step children of the events of the late 1960s. What happened then led to what is happening now.
By the late 1960s the youth of America, especially the draft-age males, were sick and tired of the elite politicians in Washington, D.C., many of whom had crawled through the blood of John F. Kennedy’s assassination to solidify their grip on power, their guilt hidden by bluster and an immediate push to war. When the thousands of body-bags began to pour back into the country, the youth recoiled and slowly boiled with rage into a rebellion not only against the political establishment, “The Man”, but against the very culture that they were born into.
While the U.S. Was bombing and napalming entire countries in Southeast Asia, it’s own cities were burning, lit by a rebellion of the poorest class, the African American population. Fear was in the air. Race War was being discussed. Charlie Manson was released from prison.
In Southern California, an annual event called the Renaisance Faire suddenly became very popular. Young people were rejecting the corporate culture. The peace and simplicity of ancient times was more appealing to them. Small crafts became back in vogue, hand making candles, working with leather, making things. Screw putting on a suit and going to work in a regimented office. Smoking and dealing in pot, composing and playing music, creating artwork suddenly became more popular and more definitive of what young folks wanted. They wanted love, not war. This cultural shift cut across all the straight laced boxes of hell that the elites wanted them to dwell in. People started to go back to the country, back to the land to farm, far away from the urban nightmares and smoldering inner cities. Young kids bought old school buses and set out on their own adventures, not just in the U.S. but in other countries as well. The so-called “hippy” movement appeared very quickly, and posed a serious challenge to the war mongers in Washington, like Lyndon Johnson and the political elites, stunned that their own children could disown THEM, walk out of the corporate jails, refuse to pick up a rifle, and join marches of tens of thousands against the war.
America teetered on the brink of chaos. Radical leftists revolutionaries began operating in the urban areas. The Black Panthers were buying guns. The hippies were blocking the ports, trying to stop the flow of war material. The infection spread to the troops. Merchant seamen rebelled and sailed a ship full of supplies to a neutral country, and then disappeared into the jungles of Southeast Asia. A huge, hostile underground press popped up. In Los Angeles, several alternative newspapers arose, the largest, The Los Angeles Free Press, gave jobs to the hippies who sold the newspaper on street corners. A savage sexual revolution began. Feminism and Lesbianism became popular, threatening the future of the atomic family. Hundreds of sex shops and massage parlors opened across the country, pouring advertising money into the coffers of the underground press. The cultural shift ripped through the religious landscape, spawning cults and growing numbers of adherents to Buddhism, from the very area that the U.S. was trying to subdue by incessant bombing.
The cultural and political elites were stunned. Everything was being destroyed. Their war had come back like a boomerang. Drugs were changing the consciousness of their own children. The Judeo-Christian religions were collapsing, as the young people turned to Buddhism, athiesim, nature worship, and no worship. The rise of the gay males led, even many years later, and even to this day, to scandals in the once invincible Catholic Church. Nihilism had come to America. And it has come to stay.
Hollywood, being a reflective mirror of the culture, has over the years focused on most of the aspects put out in the above diatribe. Movies and documentaries have covered most of it, but it is never enough, because many of the Hollywood producers only know the Nihilistic world. Science Fiction wars, alien invasions, the almost destruction of the earth by an asteroid, the crime and cop thrillers that often have escalated levels of violence, all neo-nihilistic themes. Chaos, destruction, the blurring of good and evil, the random violence. Mort Sahl, the 90 year old comedian, scriptwriter, and commentator says that Hollywood should be more concerned about making more love stories and romantic films. Maybe Hollywood should listen.
Tarantino’s crew retro-fits Hollywood Blvd back to 1969. Photo by Julie Webster
The recent big Hollywood publicity blow up is about a new film by Quentin Tarantino, a look into the late 1960s. The word “Manson” has been whispered. Tarantino has re-decorated parts of Hollywood Boulevard to reflect his vision of what the street looked like in 1969, although it is not totally accurate, he has tweaked it to his own aesthetic. Remember, it is a film, a fiction, not a documentary. Speculation is that it has something to do with the Manson Family killing spree, one of the lead characters lives next door to Sharon Tate. That’s about all we know, the script is secret.
Just how nihilistic can we expect this film to be? Tarantino is not shy about using violence, embracing it beyond shock value. Will the film focus on the cultural melt-down of the time, or explore the shockwave that the poorest, small group of mainly white youngsters, basically eating out of dumpsters, had on society through their own shocking deeds? Will the story show the turning point in the cultural explosion and it’s spin to doom and destruction? Will Tarantino become the new King of Nihilism? It’s probably not something he aspires to, and besides, we already have a film poet who has professed the dark days of Nihilism in film, art and culture. His name says it all.
“I am going to reduce everything that stands to rubble / and then I am going to burn the rubble / and then I am going to scatter the ashes / and then maybe SOMEONE will be able to see SOMETHING as it really is” / — Mel Lyman (God)
One take on Aesthetic Nihilism is that there is a cultural and artistic element to our disintegration, however bizarre that may seem to be. The Aes-Nihil.com website is focused on the Manson Family, the Lyman Family, Robert deGrimston, The Processs Church of the Final Judgment, the Blackburn cult and other Southern California religious movements. “A delve into the mass schizophrenic breakdown at the end of the Second Millenium, A.D.”
John Aes-Nihil’s main focus is on the Manson Family, which he regards as a pivotal moment on the cultural timeline. It smashed the psyche of Hollywood culture like an astroid crashing into Hollywood and Vine. The reverberations from that event are still pulsing through Hollywood, a seemingly never ending story.
Aes-Nihil was on to the Manson story from the beginning. He has a gigantic list of videos on his website. He also made a docu-drama, Manson Family Movies. The concept for this was based on a rumor that the Family had obtained some 8mm cameras and were recording their adventures and crimes, making the first “snuff” movies. The film considers what this would be like if real. Aes-Nihil produced this through self-financing, and continuously updated it as he filmed it, which took him twelve years.
A most valuable part of the DVD is the replay of the movie, with the narrative by John Aes-Nihil, and his take on the events. Do we know all about the events surrounding the Manson Family epic now that 50 years has gone by?
John says “We dont need more Manson Fiction. With the exception of Robert Hendrickson’s Manson and to some extent Manson Family Movies virtually everything on Manson has been fiction whether called that or not.”
Factual information and indeed the story itself seems to be self-perpetuating, like a chapter play serial that is never ending for as long as the audience cares to receive more and more of it. A few recent revelations come to mind.
Terry Melcher, LAPD Protection, and Confidential Cash.
In September of 2015 Paul Hunt of Big Fun Video filmed an interview with Judy Lamppu, a lovely lady who was Doris Day’s secretary during the “Doris Day Show”, which ran from 1968 -1973. Judy’s first day on the job was on August 9th, 1969, arriving to find the place swarming with cops, who were there to protect Doris Day’s son Terry Melcher. Terry had been living at the Cielo Drive house, renting from owner Rudolf Altobelli, a talent manager who had purchased the house in the early 1960s and was renting it out to many famous industry stars over the years. Terry had moved out and in February 1969 Roman Polanski and Sharon Tate had moved in. This interesting fact raises even more questions. How did the detectives assume that Terry Melcher needed “protection”? He had moved out of the Cielo Drive house months before. If there was some indication of the Manson Family threatening Terry, why did the cops fail to arrest Charlie? The first obvious thought would be that the murders were either random or somehow connected to Roman Polanski. Connecting the crime to a former tenant on August 9th seems strange to say the least. Did the LAPD also “protect” the owner of the house Rudy Altobelli? What information did the LAPD have, and is it possible that lives could have been saved? Or were more sinister things transpiring?
Judy Lamppu tells the story of one day being called in to the record company executives and given an envelope to take to Terry Melcher. Although she technically worked only for Doris Day, she delivered the envelope. They had told her not to look inside the envelope, probably one of the most naive things they could have said. There is not a woman on earth who would not look inside, their curiosity in these matters is off the charts. Telling some guy not to look inside, under some threat, would probably work every time, the guy would be afraid of being fired, killed, or worse, having his nuts cut off. Telling that to a curious woman…it’s almost a joke.
When Judy looked inside the envelope, she counted out $75,000 in cash. In 1969, that was a lot of money. Using the currency inflation calculator, in today’s world, it has the buying power of over $520,000. We can only speculate what was going on. What was Terry doing with that much cash flowing in? Judy refused to repeat the process, refused to ever again deliver envelopes for the music executives. How much cash Terry received will never be known. Most of the parties involved are dead. Terry died of cancer in 2004. Doris Day had no part in the envelopes. Judy Lamppu’s interview is on the internet.
Hollywood Babylon: The Nihilism Timeline
Interviews and books of recent times have revealed an interesting web of love, sex, fear, murder and bad behavior. Here’s a few bullet points on the Nihilism Timeline:
–Early 1960s. Laurence Merrick, an Israeli Zionist fundraiser, comes to Hollywood with his wife Joan Huntington. They open The Merrick Studio Academy of Dramatic Arts to teach acting. Sharon Tate is one of their students. Their Studio, at 870 N. Vine St. in Hollywood, is very successful and receives “government” funding. The Merricks bought a house in Beverly Hills.
–1968 Victoria Vetri (as Angelea Dorian) had a part in “Rosemary’s Baby”. Victoria was a Playmate Centerfold model in 1967 and Playmate of the year in 1968. She became good friends with Roman Polanski and Sharon Tate.
–Her ex-husband Bruce Rathgeb claimed that Victoria had “threesomes” with Sharon and Roman.
–In an interview in 2007, actor Christopher Jones talked about 1969 when he was working on a film in Italy. His manager, Rudy Altobelli brought Sharon Tate with him to Rome. Sharon was six weeks pregnant by her husband Roman Polanski.
–Rudy Altobelli owned the 10050 Cielo Drive house that Roman and Sharon rented from him.
–Sharon and Christopher Jones had a brief but torrid affair. Christopher was nervious about it because she was a married and pregnant woman. Sharon told him “not to worry about Roman.”
–During the course of their fling, Sharon told Christopher that “The Devil is Beautiful. Most people think he’s ugly, but he’s not.”
–Christopher Jones went next to Ireland to make “Ryan’s Daughter”. He met Olivia Hussey, who came to Ireland and stayed with him during the filming. She claimed he would at times slap and punch her.
–Two weeks before Sharon was murdered, Victoria Vetri was at her house on Cielo Drive, and according to her ex-husband Bruce Rathgeb, Charles Manson came by looking for Terry Melcher. Someone, maybe Victoria, made a comment that Manson looked “creepy”. Victoria was later afraid that the remark was overheard by Manson, triggering the murder spree.
–1969. Laurence Merrick filmed Black Angels, about a white motorcycle gang (Satan’s Serpents) fighting a black motorcycle gang (The Choppers). Filmed at the Paramount Ranch in Agoura, some of the Manson family came by to watch. This gave Merrick an introduction to film the Manson family with a 16mm camera at the Spahn Ranch, Devil’s Canyon, the Barker Ranch, and later the Hall of Justice during the trials.
–May 18, 1969. Terry Melcher visited the Spahn Ranch to hear Manson and his friends play music for the possibility of arranging something professional.
–August 8, 1969, Victoria Vetre was at the Cielo house and was planning to stay for dinner, but fell ill and went home.
El Coyote Restaurant. Photo by Julie Webster
–August 8, 1969, The Last Supper. Sharon Tate, Jay Sebring, Abigail Folger, and Wojciech Frykowski had dinner at 8pm at El Coyote Restaurant in Hollywood.
–August 9, 1969. Tex Watson and other Manson Family members murder Sharon Tate and 3 others at the Cielo Drive house. When entering the house, Watson tells Sharon “I am the Devil. I am here to do the Devil’s business.”
–Roman Polanski returns from London after his wife Sharon Tate is murdered. Victoria Vetri is terribly frightened and is afraid that whoever killed Sharon would be looking to kill her for some reason. Roman gives Victoria a Glock 9mm pistol.
–After Christopher Jones finished filming in Ireland he moved to Los Angeles. He stayed in the guest house behind the main house on Cielo Drive where Sharon Tate was murdered. Rudy Altobelli owned the house, and later moved into the main house and stayed for 20 years.
–Barely one month after Sharon was murdered, Olivia Hussey moved into the main house on Cielo Drive. Her agent was also Rudy Altobelli.
–Back in Los Angeles, Olivia briefly dated Terry Melcher. “He was a sweetheart but was really fucked up.”
–Olivia claimed that she was violently raped at the house by her ex-boyfriend Christopher Jones. She became pregnant and had an abortion.
–April 13, 1970. Rudi Altobelli sues the Sharon Tate Estate for $15,000 in damages to the property (consisting of Sharon’s blood and the blood and gore of the other victims) and “at least $30,000 in damages” because Folger and Frykowski were living there in violation of the lease. The Sharon Tate Estate was only worth a little over $45,000, according to documents published on www.mansonblog.com.
–1973 The documentary “Manson” is released. Co-directed by Robert Hendrickson and Laurence Merrick, it has footage that Merrick took both before and after the Tate-LaBianca murders, including filming at the Spahn ranch. The documentary was nominated for an Academy Award.
–January 26, 1977. An unknown assailant gunned down Laurence Merrick at his Studio on Vine Street in Hollywood in broad daylight.
–June 14, 1977. Michelle Mignano, a topless dancer at Hiphugger Bar in San Jose, was found shot to death in a railroad tunnel. Detectives investigate the Hell’s Angels motorcycle club.
–In 1977 Roman Polanski was convicted of raping a 13 year old girl. He fled the country
–October 3, 1981 Dennis Mignano calls the San Jose Police Department to confess that he had killed Laurence Merrick. He was arrested and brought to Los Angeles for trial.
–November 20, 1982 Dennis Mignano is found Not Guilty by reason of insanity in the murder of Laurence Merrick. He claimed that “Black Magic” spells were cast on him when he applied to attend Merrick Studios to study acting. He is sent to a psychiatric institution.
–1986-87 Dennis Mignano is released and sent home to San Jose.
–1987. Victoria Vetri married musician Bruce Rathgeb.
–1989 Rudi Altobelli sold the Cielo Drive house for 1.6 million dollars. He paid $86,000 for it in the early 1960s.
–March 1990. Alisa Statman, a young 21 year old director, leases the Cielo Drive house. She meets Manson Behind the Scenes author Bill Nelson and agrees to help him on a film project about the Manson Family. Nelson and Statman meet retired LAPD Detective Lt. Earl Deemer who has a large collection of Manson memorabilia. Alisa steals slides and negatives from Lt. Deemer showing Sharon Tate, Sebring and Frykowski at Cielo Drive around August 5, 1969. (How did Deemer get them if they were booked as evidence?) She sends copies to Sharon’s sister Patti Tate, later meets Patti and begins a romantic lesbian relationship with her.
–1994. The house on Cielo Drive was demolished. It was rebuilt on another part of the lot and given a new address.
–June 3, 2000. Patti Tate dies of breast cancer at her Palos Verdes home where she lived with Alisa Statman and her 3 children. Alisa purchases the house and continues to raise Patti’s children.
–Terry Melcher died on November 19, 2004.
–- October 16, 2010. Victoria Vetri, for years freightened of Manson, during an argument somehow thought that her husband Bruce Rathgeb was Charles Manson. She shot him in the back with the 9mm Glock pistol given to her by Roman Polanski. Rathgeb, before he passed out uncounscious, heard her say “No more Charlie, no more Charlie.” She was later sentenced to 9 years in prison for attempted voluntary manslaughter.
–Rudy Altobelli died on March 26, 2011.
— 2012. Alisa Statman published her book about the Tate Family, “Restless Souls”.
–Christopher Jones died on January 31, 2014.
–March 2016. While in Prison, Victoria Vetri files for divorce from Bruce Rathgeb.
–Charles Manson died November 19, 2017.
–July, 2018. Victoria Vetri released from Prison and appeared at the Hollywood memorabilia show to sign autographs. Victoria, the beautiful actress, according to her ex-husband, suffered much fear over the years from Manson.
Roman Polanski is still in exile.
The 1977 murder of Michelle Mignano, sister of killer Dennis Mignano, is still unsolved in San Jose.
John Aes-Nihil and Tim Wyllie of The Process Church. Photo by Paul Hunt
And as with all things, by its fruits shall ye know humanity. And humanity’s fruits are foul; bruised and bitter, and rotten to the core. And humanity’s home is the earth, and the earth is Hell. Satan is free for His work is done. Satan is no longer the Devil, for He has passed the poison on to that which chose to take it and become it. Now there is nothing more evil in the universe than man. His world is Hell, and he himself the Devil.
Here’s Another Program From Larry Edmunds Lost Archive
Another old tape was found by Larry Edmunds Book Shop owner Jeff Mantor. This was a presentation by Eddie Muller, talking about the Film Noir Foundation and showing some clips from old “lost” crime movies. Eddie tells how he tracks down old films and presents a video of the UCLA lab where the films are rescued and copied to be saved for posterity.
Back in the 1970s a great Western Movie Show came to Los Angeles, I think it was at the old Biltmore Hotel in Dowtown Los Angeles. Almost all my childhood heroes were there, Lash La Rue, Crash Corrigan, and many of the gals and guys who played in the old Chapter Serials. I had a chance to chat with Ray Corrigan for a while. I had been to his movie ranch and was thrilled to meet him. We spoke for about a half hour, and I can say he was no fan of Bob Hope, who had purchased the property around 1966, and added it to his huge real estate holdings in the San Fernando Valley. It was the first time I had heard anything negative about Hope, but it was not the last. His well-funded Public Relations machine keeps up the Hope image long after his death, naming streets, post offices, and re-naming the Burbank airport in his name. Meanwhile, sadly, Corrigan lies in an unmarked grave in Inglewood.
I’ve been filming at Larry Edmunds Book Shop for a few years. I would like to film every guest author, but there’s often scheduling problems on my end. Kicking around some marketing ideas with owner Jeff one day, he mentioned that he used to film some of the events himself. It turns out he had an old VHS-C camera.
I told him it would be a good idea to get the old tapes and I would transfer them to DVDs and a digital file. Old tapes can last for years, but eventually they will degrade, depending on a few factors, including how they are stored and how hot it is. Of course his tapes were stored in an upper storage area where it does get hot. In addition, he can’t find the original camera and never re-wound the tapes every year, which helps to preserve them.
Since a lot of my video equipment is old, it just so happened that I had a couple of old VHS-C cameras. I would need one to transfer the tape to a DVD recorder. Sometimes things work and sometimes they don’t. Running a tape from one camera to another can be a problem. I was lucky and my old JVC seems to give a fairly good image, although some color loss has occurred on some of the tapes.
So here is the first tape, filmed way back in November 17, 2011. It was author, actor, and director Sir Micchael Lindsay-Hogg. His career in the music businesss is legendary. He started off as a director for the famous British pop music program Ready, Steady, Go. He had a huge career in the music video business, working with The Rollling Stones and churning out music videos of almost all their albums. He also did music videos for The Beatles, Wings, and Whitney Houston.
A small word of caution on these tapes. Most are not perfect, and most only about 30 minutes or so. Jeff, running the projector, the camera and the show, was always in motion, sometimes running back at the last moment to adjust the camera. We are just going to put these out as they are, a fun gift from Jeff at Larry Edmunds to celebrate their 80th bookstore birthday. Jeff’s job is to root through the old storage area and find the tapes. I will attempt to transfer them as I receive them, and YOUR job is to sit back and enjoy some lost Hollywood history.
Show Trial Author Thomas Doherty on the Red Scare, HUAC, and the Hollywood Ten
by Ed Murray
Author Thomas Doherty was at Larry Edmunds Book Shop on Saturday April 7th, to discuss his new book on Post WW2 America and the beginning of the Hollywood Blacklist. This is not a book review, just some random comments on the era and the strange situation we are in today. The following comments are from What Up Hollywood. To hear Mr. Doherty’s talk, click on the box below.
Even though the United States was allied with the Soviet Union in World War 2 and were part of the great fight against fascism, the post-war years saw a 180 degree turn against the Soviet Union. America was seized with anti-communist hysteria and Congress launched The House Committee on Un-American Activities, called HUAC by its enemies to cleverly turn the committee itself into an Un-American entity by switching the Committee title around (HCUA vs HUAC).
During the War, the U.S. was more than happy to urge the Hollywood Studios to put out anti-Nazi and anti-Fascist propaganda, and several pro-Soviet films were also made. When Congress launched it’s hearings after the war, suddenly they were ripping Hollywood apart looking for “Communists”. How soon they forgot that Russia was our ally. Even studio head Jack Warner asked Congress why they seemed to all have “amnesia” about our former friends and the importance of using movies to fight fascism.
But the hunt for the secret Communist Party members was on. The FBI had burglarized the Communist headquarters in Los Angeles and obtained copies of the membership cards of all the Reds, including many of the screen writers. They dragged them to Washington and demanded to know if they were now or ever had been members of the Communist Party. The writers were stuck. If they admitted that they had been, the next question would be “who else do you know was a member?” Not willing to snitch on their friends, they refused to answer, citing the First Amendment. The now famous Hollywood Ten writers were found in contempt of Congress and sent to jail for a year.
Progressives, socialists and liberals were all running scared, and the big witch hunt went on for years, with many Hollywood folks afraid to speak their mind on political issues for fear of being called communists or communist sympathizers. The Communist Party, taking it’s orders from Moscow, slowly lost the enthusiasm of the left. The authoritarian rule was something most Progressives and leftists ultimately disliked. The Party ceased to exist after the breakup of the Soviet Union, although there are still some radical revolutionary home-grown communist movements.
The odd twist today is how the Progressives and the left are suddenly smitten about the FBI. They have let their hatred of President Trump over-rule their common sense. As long as America is a “Capitalist” country, the FBI will always be the enemy of any “socialist” or “progressive” movement. The establishment will protect itself, no matter what. Although several of the top FBI leadership were allegedly pro-Clinton, this does not mean that they were in any way pro-progressive or socialist. The FBI and Deep State hatred of Russia continues today in a straight line from the 1930s.
Author Thomas Doherty gave a great background to the Congressional Hearings, starting back in the 1930’s. His entire lecture is featured here, just click on the box below. To obtain signed copies of his book, go to LarryEdmunds.com. They have his books in stock now. Support independent book shops who bring you these great events for free.
Larry Edmunds Book Shop has 3 Thomas Doherty books in stock.
A new book, Mr. Novak An Acclaimed Television Series, tells the complete story of the series that ran only for 2 seasons back in the 1960s. It was about a young teacher in Los Angeles, played by actor James Franciscus, and all the things that teachers and staff had to deal with in both their school and private lives. Backing up Franciscus was actor Dean Jagger playing the principal of the school, and a stellar list of guest actors.
It is interesting that fifty years ago things were a lot different, and the quality of the Mr. Novak series reflected it. The series took on very serious issues, and a visit to the website, MrNovakBook.comhas an entire section devoted to “Progressive Themes of the Mr. Novak Television Series.”
The show tackled the tough issues, drug abuse, teen pregnancy, racism, anti-semitism, and much more. The series reflected our great schools and teachers. It might help to release the dvds of the series, maybe we can find a clue to what has gone wrong in California education in the last 50 years.
Congratulations to Chuck Harter for his excellent and well-rounded presentation of Mr. Novak, an acclaimed television series.
Click below to view author Chuck Harter’s video tour of 2 of the locations where the exterior shots of the series were filmed, John Marshall High School and Hamilton High School.
The Book is available now in Hardback, Paperback, and Kindle editions at amazon.com
Author Chuck Harter:
Chuck Harter is an author, musician and popular culture consultant. He is the author of the new book “Mr. Novak An Acclaimed Television Series” – Bear Manor media (AMAZON) and has written four previously published books which include…”Superboy & Superpup: The Lost Videos” – Cult Movies Press (AMAZON), “Superman on Broadway” – Co-Authored with Bob Holiday (Holiday Press), “Johnnie Ray: The Year of the Atomic Ray” (Self Published) and “Little Elf: A Celebration of Harry Langdon” – Co-Authored with Michael J. Hayde – Bear Manor Media (AMAZON). Chuck wrote the acclaimed Television Documentary “Hey! Hey! We’re the Monkees” – Rhino/Disney Channel and…among others… “Gossip: Tabloid Tales” for A&E. He has appeared as a commentator on such TV programs as “North Mission Road”, ‘Cops: America’s Most Wanted”, “Places of Infamy”, A&E Biography”, “Mysteries and Scandals” and “Unsolved Mysteries”. Under his musical performing name of Chuck Winston he has produced four cds of musical recordings and recently finished a compilation cd of the best previously released material = “The Best of Chuck Winston” – Kickz Records. He has performed in concert many times in the Los Angeles area. Chuck’s current book is “Mr. Novak An Acclaimed Television Series” which covers the 1960’s program about education, and was published by Bear Manor Media (AMAZON) in October of 2017. His next project will be a book on the 1961 Horror TV series “‘Way Out” in which he will partner with author Martin Grams, Jr. Publication is scheduled for September of 2018. Chuck lives in Los Angeles near Culver City.
Old Photo Album Found at Thrift Shop Reveals Hollywood History
Boulevard Theater, 1615 West Washington Blvd.
An old photo album I found at a local Thrift Shop had some interesting historical photos, including a nice shot of the old Boulevard Theater at Washington and Vermont. The Theater opened in 1925 and had a long run. In the 1950’s the stage was turned into offices for Fox West Coast. It was sold to Thriftimart in 1960 and was demolished in the mid-80’s. The movie playing on the marquee was This Time for Keeps with Esther Williams, which would date the photo to 1947. The site today is a shopping center with a drug store.
Another photo of the Boulevard. I would guess that the photos were taken on a Saturday, notice the kids. The man on the right is Johnny Strong, an actor.
This photo, also taken at the Box Office Lobby area is interesting because the guy in front, possibly with his son, is bending over and behind him on the side window of the Box Office is a poster advertising “Hurricane Tommy Tucker”. It says he is the World’s Wonder Voice, and will be imitating Woody Wood Pecker, Donald Duck, and the Famous Tarzan Yell among others. This is a live performance, along with cartoons and movies. I haven’t yet been able to find out anything about Tommy Tucker, maybe some readers could help on this.
Actor Johnny Strong
This cool photo shows actor Johnny Strong posing with his “Woody” car, which says “Johnny Strong Enterprises, Hollywood, Calif.” painted on the side. I have no idea what his business was, there’s no notation on any of the photos unfortunately.
Another photo of Johnny Strong. IMDB shows him as an actor in 7 movies, mostly uncredited parts. Only one photo could be found, his photo in The Falcon in San Francisco. He was born in 1920 and died at 71 (1992) in Yucaipa, CA.
This is a great candid of “Big John” Strong. He was 6’5″. At this point, that’s all we have been able to find about him. Would love to get any further information on Johnny Strong. There’s a lot of other photos of him in the album, with possibly his wife and relatives. although none related to Hollywood as far as I can tell. A couple of the photos were taken in the Bel Air vicinity.
I believe this is Johhny Strong’s wife, taken on a trip to Utah.
posted by Uncle Paulie
Check out the great site, Los Angeles Theaters blogspot, fantastic historic photos and information, Click Here.